| 157 | NOIA Magazine, Issue 3 ‘States’ / Center for Archival Interpretation Writing, drawings, and related research contributed to this issue investigating the ‘fluidity and manipulable nature of states’ and their function as ‘conceptual and physical constructions of borders’ |
10 | New |
Writing, drawings, and related research contributed to this issue investigating the ‘fluidity and manipulable nature of states’ and their function as ‘conceptual and physical constructions of borders’.
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NOIA Magazine 03 ‘States’
ISSN 979-12-210-2276-6
Spring 2024
States are the conceptual and physical constructions of borders - however tenuous - to define ideas and purport control. They are artifices presented as logic, defended as truths, manipulated as oppressions. Fluid and influenceable, we can recreate and redefine the states of the world today. The borders we establish, whether they are physical borders between nations or intellectual borders defining ideas, these constructs of self, country, object, subject, concept can be challenged and pushed into states of flux..
In the realm of facts and truths, it is important to recognise that knowledge and understanding are not fixed entities. They evolve over time as new evidence emerges, perspectives shift, and societies progress. Therefore, it is crucial to continuously analyze, critique, and challenge the states of facts and truths that have been established.
By recognising the fluidity and manipulable nature of states, both literal and metaphorical, we can actively participate in shaping the world and its future trajectory. This can involve advocating for more inclusive and equitable systems, challenging oppressive structures, and embracing diversity and change. It is through continuous reevaluation and the pursuit of knowledge that we can strive for a more just and progressive world.
Interviews + Articles:
Center for Archival Interpretation
Andrew Chee
Mild Routines
Michela Zoppi
Broken Landscape
untitled
Eulogy for Foxfonna Glacier
Caitlin Jakusz Paridy
The Game
Gareth Proskourine-Barnett
Diptychs
Various artists
Hyper-Objects
A. F. Friis-Andersen & A. M. Arevad Gade
Of Shadows and Lights
Interview to Marie Queau by Alexia Autissier
Every Prophet is a Loss
Wassim Z. Alsindi
Identity through a Decolonial Object
Miguel Zambrano
Featured Artists:
More than 70 photographers, filmmakers, and artists from around the world
Details
164 pages, offset print, open spine binding.
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Rooted in collaborations between artists, designers, photographers, writers, and other creatives, NOIA sources a diverse range of expressions and perspectives to create visual responses toward contemporary critical issues.
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Studio Basic
Notes on the article ↴
In response to Zoe Leonard’s exhibition and book ‘You see I am here after all’ (Dia Art 2008), the ‘Center for Archival Interpretation’ presents a screenplay adaptation of its quarterly ‘Journal of Alternative Archives’, a dossier surveying display methods for ‘un-archival’, from 3-screen reconstructions of ‘Raumlichtkunst’ @ctrvisualmusic to Leonard’s ~4,000 postcard reconstructions of Niagara Falls at the Whitney Museum (‘Survey’ 2018 @moca), as applied to a re-reading of the prototypical zombie movie ‘Night of the Living Dead’.
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Stills via NOIA. Video via Anja Rausch.
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Updated ↴
2025 Apr 26 08:18:17 UTC, CC BY-SA International, Andrew Chee.